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A gold watch chain hangs from the top edge of his belt on the right side into his right pants pocket. He has on a black silk necktie, its knot loosened a few inches below his shirt collar, which is not buttoned. He is wearing a wrinkled suit of that plum color seen almost exclusively in warm, sunny lands. Longish, black, graying hair damply encircles a bald spot. He is forty-five, heavy, dark, and unshaven, and he has a large jaw and almost white, kinky, untrimmed sideburns. He has been working on the final editing of his latest movie, in technicolor, “Giulietta of the Spirits,” with Giulietta Masina, Mario Pisu, Sandra Milo, Sylva Koscina, Valentina Cortese, Lou Gilbert, and others.įederico Fellini Illustration by Tom Funkįellini emerges from the studio building, walking quickly, and heads for his car, a black Mercedes sedan, which is parked nearby on the piazza.
Federico fellini movie#
The movie studio is owned by Angelo Rizzoli, the producer of “Giulietta of the Spirits.” It is surrounded by an old Roman wall and echoes the style of the church and the Roman house, but it has recently been augmented by a two-story, reddish-beige brick building, where Fellini has been working day and night for several months. Its campanile dates from the twelfth century. The church, which dates from late in the fourth century, was built onto a Roman house, part of which is still visible in its flank. Across the piazza is the Basilica dei SS. The Cinefonico Palatino, a movie studio on the Piazza Giovanni e Paolo, at the top of one of the seven hills of Rome. With Giulietta Masina, Ruggero Mastroianni, Gino Marinuzzi, Jr., Salvato Cappelli, Liliana Betti, Franco Gorgone, and others.ĮSTERNO. Starring Federico Fellini, director of “Variety Lights” (1950), “The White Sheik” (1952), “I Vitelloni” (1953), the segment “Una Agenzia Matrimoniale” for “L’Amore in Città” (1953), “La Strada” (1954), “Il Bidone” (1955), “Nights of Cabiria” (1957), “La Dolce Vita” (1959), the segment “The Temptation of Dr.